‘Ananta: The Eternal’ is currently playing at the Edinburgh Fringe at Dance Base 3 and will run until August 25. This performance delves into the relationship between deity and devotee, weaving together themes of body, memory, desire, and devotion through the 2,000-year-old classical South Indian dance form of Bharatanatyam.
A deeply spiritual and emotional practice, ‘Ananta’ combines original South Indian classical music and costumes with distinctive movements, gestures, and expressions to create a unique storytelling experience that is a cornerstone of India’s cultural heritage. The performance is brought to life by acclaimed Bharatanatyam dancers and choreographers Aparna and Ashwini Ramaswamy, who lead the Ragamala Dance Company alongside their mother, Ranee.
Describing the performance and its importance Aparna Ramaswami told Asian Voice, “The theme of ‘Ananta: The Eternal’ weaves together three key elements: the eternal relationship between the seeker and the sacred, the enduring bonds within families and the support we give each other, and the lasting connection with our lineage and gurus. My relationship with my guru, Alarmél Valli, who has shaped me profoundly over decades, is central to this performance.
“I believe it is crucial for Western audiences to experience these different layers and relationships, demonstrating that the seeker-saint dynamic is not solely formal but also deeply intimate. This work aims to inspire hope, resilience, beauty, tenacity, and a belief in something greater than ourselves.”
As the dance company returns to the Fringe after five years, Aparna is always amazed by the eagerness and curiosity of the audience, “They come with open minds, having had so many incredible experiences and encounters.”
Honoured to be performing at the Dance Base, she is excited about the opportunity to perform multiple times, which is rare in dance. “The Fringe offers a unique chance to refine and perfect our piece through numerous performances, allowing it to become a part of us. The chance to share our work with a wide audience, including presenters and promoters, is a rare and valuable opportunity.”
In preparation, Aparna’s team is focusing on perfecting the piece to fit within an hour as it is essential for her to ensure the performance is tight and impactful, especially for a diverse audience. “Bharatanatyam, in particular, needs to convey its magic and complexity quickly. Creating a connection with the audience in a short time is crucial”, she said.
Aparna also reflected on working with her mother and sister, describing the experience to have “always been productive and fulfilling.” Further describing the dynamic, she said, “ There was no ego or conflict between us; we complement each other's strengths and weaknesses and work together harmoniously. Our shared vision of promoting Bharatanatyam has always been our priority. The collaboration fuels our creativity and keeps us motivated, making the journey together deeply rewarding.”
Aparna moved to the United States at the age of three and growing up speaking Tamil at home and being involved in classical arts helped her connect with her roots. “I have always felt a deep longing for India and Indian culture and my profound connection to Indian culture is largely due to my dance and my relationship with my teacher. The longing I feel is intensely palpable through the music, dance, and poetry that I engage with”, she said.
She also shared her view on Indian culture and heritage stating, “Our ancient traditions are multidisciplinary and interwoven, creating a powerful and contemporary relevance. I find myself constantly reflecting on and connecting with the emotional depth and visceral quality of our traditions. Despite being immersed in them, I am always yearning for that connection in my life.
“Having my family around me and running a dance company allows me to live this heritage fully. I consider it a privilege to be connected to my roots and to create a life that reflects this connection.”
